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CHAPTER XVI--THE RENAISSANCE

The poet and the metaphor 'invented personality'
according to critic Harold Bloom. Is he correct?
All the world's a....

What does Sophie mean that she has been gone
for a thousand years?

I. JOANNA LIES TO HER PARENTS TO COVER FOR SOPHIE’S ABSENCE AT THE CHURCH. NOTE THAT SOPHIE HERSELF (P. 186) BEGINS TO WONDER IF HILDE CAN SEE EVERYTHING THEY DO. THAT IS NOT WITHOUT SIGNIFICANCE, AND HOW FROM WHAT WE HAVE SEEN THUS FAR, HAS SOPHIE REACHED THAT CONCLUSION?

II. SOPHIE SEES AN APPARITION IN THE BRASS MIRROR THAT SHE TOOK FROM THE MAJOR’S CABIN? WHO IS THE "OTHER GIRL?" CONSIDER AS AN ADJUNCT WHAT JUNG NOTED ABOUT THE SHADOW ARCHETYPE. CLICK HERE FOR MY ARTICLE.

III. SOPHIE'S DREAM: (p. 187)

A. SOPHIE SEES "HILDE" RUN TO A MAN IN UNIFORM, LEAVING BEHIND A GOLD CROSS AT A DOCK, AND WONDERS IF THE DOCK REALLY DOES EXIST SOMEWHERE: FORESHADOWING AGAIN.

B. SHE FINDS A GOLD CROSS UNDER HER PILLOW WITH THE INITIALS : "HMK." SHE AND WE MIGHT WILL WONDER HOW ANYTHING ABOUT WHICH WE DREAM CAN COME BACK?

C. HERMES TAKES SOPHIE TO KNOX'S ADDRESS.

D. WHAT IS THE PHILOSOPHICAL IMPORTANCE OF THE CROSS COMING FROM THE DREAM? (P. 188)

E. THE DREAM AND ITS AFTERMATH SUGGEST EVENTS THAT APPEAR TO DEFY LOGIC, BUT RECALL:

IV. THE POSTCARD FROM HILDE'S DAD : HUMAN LIFE AND THE AGES:

A. ANTIQUITY = CHILDHOOD.

B. MIDDLE AGES = SCHOOL DAYS.

C. RENAISSANCE = THE TEEN YEARS AFTER SCHOOL:--WHAT DOES THE ANALOGY MEAN?

D. AN ADMONITION ABOUT LOSING THE CROSS. HILDE'S DAD DOES SEEM TO KNOW A GREAT DEAL, PERHAPS AN 'OMNISCIENT' PERSPECTIVE?

VII. THE RENAISSANCE AND THE MEETING WITH KNOX:

A. KNOX’S ROOM IS A ‘SMITHSONIAN’ OF HISTORY.

B. NOTE ON PAGE 191 THAT ALBERTO IS DRESSED LIKE A ___? WHY?

C. WHO IS GETTING MORE AUDACIOUS, AND IS ALBERTO CORRECT IN ARGUING THAT THIS PERSON KNOWS 'PRACTICALLY EVERYTHING?' (P. 193). THERE IS YET ANOTHER REFERENCE TO THE WHITE RABBIT BEING PULLED OUT OF...? RECALL THE MEANING METAPHORICALLY.

D. "ONLY PHILOSOPHY CAN BRING US CLOSER TO HILDE'S FATHER" means what? (P. 193)

E. THE WORD 'BAGATELLE' IS USED FREQUENTLY, (p 193). AND BY WHOM? WHAT DOES IT MEAN?

VIII. THE RENAISSANCE:

A. RENAISSANCE AND REFORMATION--the Challenge of Luther (1483-1546).

B. THE START OF THE SCIENTIFIC AGE COULD NOT HAVE OCCURRED WITHOUT?

C. THE PRINTING PRESS AND THE POWER OF TECHNOLOGY.

D. RENAISSANCE HUMANISM AND NATURE: BACON (p. 200) AND THE REBELLION AGAINST THE LOGIC OF ARISTOTLE:

E. WHO IS NOW IN CONTROL?

IX. A NEW RELIGION:

A. PERSONAL RELATIONSHIP TO GOD.

B. THE EDUCATED RESPONSE--LUTHER: what had to be reformed, and why?

X. ALBERTO ‘SLIPS’ AND CALLS SOPHIE HILDE!!!(p. 210), BUT IS IT REALLY A SLIP SINCE HILDE'S DAD IS PUTTING WORDS IN THEIR MOUTHS, AND IS EXPLOITING THEIR WEAKNESSES.

XI. IF YOU HAD TO ASSIGN HILDE'S DAD A PERSPECTIVE, WHAT WOULD IT BE?

XII. SOPHIE FINDS A COIN ON THE STREET THAT SHE NEEDS TO GET HOME AND WONDERS IF ______LEFT IT THERE? RECALL THE CHAPTER ON FATE. MUST ALL OF THIS BE? (AND REMEMBER WE ARE CONSIDERING THE RENAISSANCE).


SUGGESTED READINGS

REMEMBER THAT THE PHILOSOPHICAL DILEMMAS SOPHIE MUST FACE ARE MIRRORED IN THE SENSE WORLD THROUGH THE DRAMATIC SITUATIONS IN WHICH SHE IS PLACED.

1--The Romantic period did much with dream psychology. Click here to my British Literature page; locate the Romantic period and do some investigating. Consider especially John Keats.

2--For more on the Renaissance, click here. Look especially for the impact of science.

3--Also check the primary sources for Renaissance and Part 8 on the Supplementary Reading section :